Book by Nadia Yaqub examines Palestinian revolutionary cinema produced by the PLO's film unit in the 1960s and 1970s, analyzing how Palestinian filmmakers used documentary and fiction film to represent the Nakba, refugee life, and armed resistance to international audiences. Yaqub explores the aesthetic strategies, political contexts, and global circulation of this cinema, situating it within the broader history of Third Cinema and anti-colonial film movements. Recommended for researchers in film studies, Palestinian cultural history, and anti-colonial cinema, valuable for anyone studying the PLO's cultural production and the use of film as a tool of national liberation and Nakba documentation.
